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Alright, so, uhh... this is my first post on the forum! Hello!
This is the third thing that I've written on FT-- a through-composed piece called "Super Unstoppable," written with a sort of "no filter" mentality; whatever I felt like writing, I wrote, so I guess you could call it... experimental? Idk. Call it whatever you want-- I'm not even sold on the name I gave it. But I'm quite happy with how it turned out, given that my experience with the program is still young.
I think you need to focus more on melody, not just put random notes out of tonality, like you did in some parts. Maybe it'll sound absurd, but i'm hearing a "Tim Follin" vibe in this. After all, i think you have a potential, you just need to learn more about famitracker and 2a03 music.
Not bad, especially for a third FTM. If there's a central problem, it's lack of sound design (few volume envelopes, limited use of pulse width). Also you should probably put C00 in the last frame to end the piece.
I appreciated the through-composition aspect, it's just a little grating timbre-wise. Hope to hear more from ya.
I will certainly keep it in mind. I'll probably look back on this later down the road and think similar things-- I've certainly felt that way about some of the code that I've written, haha. Thanks!
@cak
Thanks also! I agree that parts of it were uncomfortable to listen to-- I haven't put much work into the sound design aspects of my FTMs yet, but it'll definitely be more smartly considered / diversified as I write more stuff.