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FamiTracker
Just 2 chorales composed in the arts & crafts room of a loony bin.
Progressions are
EM:
I, IV 6/3, viiº, I,
iii 6/4/3, v, ii 6/4/3, V 6/5/3 of bVII,
bVII, IV 6/4/3 of bVII, Ger+6 of bII, V of bII,
bII, V, I.
2nd song is
CM:
I, I 6/3, IV, bVII (passing)
vi 6/4, ii, iv 6/4, iii 6/4/3 (neighbor)
iv 6/4 serving as a pivot chord modulating to i 6/4 in fm, V7, i, bIII
bVII 6/3 (passing), viiº7 of N, N, V 6/5/3
I, I 6/3, IV, iii7 (passing)
ii7, ii, iv 6/4, iii 6/4/3 (neighbor)
iv 6/4, ii, V7 of V serving as a pivot chord modulating back to V7 in CM, I 6/3
I
[edit:]
I suppose some lead sheet chords for those of you not too well versed in theory analysis.
EM:
EM, AM/C#, d#º, EM
g#mm7/d#, bm/d natural, f#mm7/c#, AMm7/C#
DM, GMM7/D, Db A F B (I suppose that's how you notate an Augmented 6th chord), CM
FM/A, BM, EM
Ooh, I liked that, though the Pitch macro should be changed to reflect the new tempo.
I might keep working on these two. I didn't have any access to any musical devices when I wrote these, so I'm glad that with pure theory something can still sound good.
Now to add non-chord tones & rhythm and maybe some Pxx to get a better temperament.
