Even though I'm having fun with this one, I gotta put it down. Gotta work on other stuff still
But yeah...
Does hardware/NSF format support having the FDS instrument switch back and forth that quickly? Or is it a similar case to not having more than 1 custom VRC7 patch playing at the same time?
Haha, I guess no one here listens to f'ed up psytrance.
I swear it sounded better in my headphones.
RE: kick: but if you take a look at the DPCM samples, you'll see I can't get any louder without clipping. The only thing I can think of is to lower the volume of the FDS a ton.
Haha, I guess no one here listens to f'ed up psytrance.
I swear it sounded better in my headphones.
RE: kick: but if you take a look at the DPCM samples, you'll see I can't get any louder without clipping. The only thing I can think of is to lower the volume of the FDS a ton.
It's like you're playing cantible bowing for a baroque piece.
Which isn't to say that a gabber kick (well, the way the bass ramps up in volume at least) can't work for this style.
But it is louder indeed.
[edit:]
Gave it a listen in 'phones. The kick's bass definitely overpowers the psytrance bass now
As versatile as the FDS channel is, I'd never use it for something like this (especially knowing how waveforms can build up their total amplitude into one huge, ear-popping wave).
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